Hzs丶X-Files 世界上到底有没有鬼...

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留点口水(可选):From Wikipedia, the free encyclopedia
"Ice" is the eighth episode of the
of the American
television series , which premiered on the
network on November 5, 1993. It was directed by
and written by
and . The debut broadcast of "Ice" was watched by 10.0 million viewers in 6.2 million households and received positive reviews from critics, who praised its tense atmosphere.
special agents
() investigate the deaths of an Alaskan research team. Isolated and alone, the agents and their accompanying team discover the existence of
parasitic organisms that drive their hosts into impulsive fits of rage.
The episode was inspired by an article in
about an excavation in Greenland. Series creator
has named the 1938 novella , by , as an additional inspiration for the storyline. "Ice" exceeded its production budget despite being conceived as an episode that would save money by being shot in a single location.
occurs among a team of geophysicists at an outpost in , Alaska.
special agents
() head for the outpost accompanied by physician Dr. Hodge (); toxicologist Dr. DaSilva (); geologist Dr. Murphy (); and Bear (), their pilot. Along with the bodies of the scientists, the group finds a dog that attacks Mulder and Bear. Scully notices black nodules on its skin and suspects that it may be infected with . She also notices movement underneath its skin. Bear becomes ill and develops similar nodules on his body. Autopsies reveal no such nodules on the bodies of the scientists.
Murphy finds an
sample that is believed to originate from a meteor crater. He theorizes that the sample might be 250,000 years old. Bear insists on leaving, but the others are worried about infecting the outside world with a contagion. When asked for a , Bear attacks Mulder and tries to flee. Something moves underneath Bear's skin, and he dies when Scully removes a small worm from the back of his neck. The group is left with no pilot, and they are told that an evacuation is impossible because of the weather.
The worm removed from Bear is kept in a jar. Another is recovered from one of the corpses. Mulder believes that the worms are extraterrestrial and wants them kept alive, although Scully feels that they should be destroyed to prevent infection. The group check each other for black nodules and find none, although Mulder reminds Scully that the nodules disappeared from the dog over time. When Mulder finds Murphy in the freezer with his throat slit, the others—including Scully—believe that he has become infected and killed Murphy. Mulder is locked in a store room.
DaSilva discovers that two worms put together will kill each other. When the investigators place one of the worms into the infected dog, it recovers. Against Scully's objections, Hodge and DaSilva try to place the other worm into Mulder, but Hodge realizes that the infected one is DaSilva. He and Mulder restrain DaSilva and place the last worm inside of her. On rescue, DaSilva is quarantined and the others are released. Mulder wants to return to the site but is told that it has been destroyed by the government.
Film adaptations of
(left) and
(right) influenced the episode.
began to write this episode after reading a
article about men in Greenland who found a 250,000-year-old item in ice. The setting, an icy, remote research base overcome by an extraterrestrial creature, is similar to that of 's 1938 novelette
and its two feature film incarnations,
(1951), directed by , and
(1982), directed by . Chris Carter has mentioned these as being the main inspirations for the episode. Though Carter has not mentioned it as a source, the device--a killer extraterrestrial parasite embedded deep in an ice sheet--also occurs in the 1992 Peter Hoeg novel
As in the novelette and movies, the characters cannot trust each other because they are unsure if they are what they seem to be. Carter in particular enjoyed this aspect, because it pitted Mulder and Scully against each other and gave "a new look on their characters early on in the series".
The episode's premise became a recurring theme in the series: episodes such as "" and "" repeated the dual use of remote locations and unknown lifeforms. A similar plot was featured in "", a 1995 episode of Morgan and Wong's series , while the
episode "" has been mentioned by
as following "basically" the same plot as "Ice". The episode also introduced the use of invertebrate parasites as antagonists within the series. This plot device would reappear in "Firewalker", "", "" and "".
The similarity to Carpenter's version of The Thing was due in part to newly arrived production designer Graeme Murray, who had worked in the same role on Carpenter's film and created the complex in which the episode took place. "Ice" was intended as a "," one that would save money by being shot in a single location, but nevertheless went over budget. Carter has said that The X-Files typically works from a small budget and that "every dollar we spend ends up on the screen". As a bottle episode, "Ice" used a very small cast. The interior shots for the episode were filmed in a set constructed at an old
brewery site. The episode's few exterior shots were filmed at Delta Air Park in , whose hangars and flat terrain could be made to appear as an Arctic location. Carter has stated that he would have preferred to set the episode at the
but believed that this was not feasible at the time.
The production company had planned at first to use snakes in latex suits to portray the worms. This proved to be infeasible, and
larvae were used instead. The effect of the worms crawling in the host bodies was achieved with wires under fake skins, including one with hair for the dog. Digital effects were employed for scenes that depicted the worms swimming in jars and entering the dog's ear. Extra footage was shot for scenes involving the worm so that the scenes would remain "intact" if 's standards and practices officials asked for footage to be cut, but no edits were requested. "Ice" marked the first significant role in the series for make-up effects artist , who would thereafter become its chief make-up artist. The dog used in the episode is the parent of Duchovny's own pet, Blue. , who portrayed one of the scientists killed in the episode's , is the
for the series.
"Ice" is not directly connected to the , but it has been described as "a portent to the alien conspiracy arc which would become more pronounced in the second season" due to its themes of alien invasion and government conspiracy. The episode is also noted for exploring the relationship between its lead characters. The trust between Mulder and Scully is shown in direct contrast to the behavior of Hodge and DaSilva, who are united instead by their suspicion and mistrust of those around them. The two pairs are depicted as "mirror images" due to their differing approaches toward acting in partnership.
"Ice" involves elements common to several works by Morgan and Wong, namely the notion of dual identities and the questioning of one's own personality. Leslie Jones, in the essay "Last Night We Had an Omen," has noted the appearance of this thematic leitmotif in several of the pair's other The X-Files scripts including "the meek animal-control inspector who is a mutant shape-shifter with a taste for human liver [""], the hapless residents of rural Pennsylvania driven mad by a combination of insecticides and electronic equipment [""], [and] the uptight PTA run by practicing Satanists [""]".
, a biology professor at , has discussed the episode in her book Monsters, Mutants and Missing Links: The Real Science Behind the X-Files. Simon noted that, like the worms in "Ice", real parasitic worms will attach themselves to the human
because it is not blocked by the . Simon also compared "Ice" to the later episodes "" and "" due to their common theme of extraterrestrial life reaching earth through the process of .
One reviewer felt
pictured) was portrayed more intelligently in "Ice" than in her debut in "".
"Ice" originally aired on the
network on November 5, 1993, and was first broadcast in the United Kingdom on
on November 10, 1994. The episode's initial American broadcast earned a
of 6.6 with an 11 share, meaning that roughly 6.6 percent of all television-equipped households, and 11 percent of households watching TV, were tuned in to the episode. A total of 6.2 million households and 10.0 million viewers watched this episode during its original airing. "Ice," alongside "," was released on
in 1996 and was released on DVD as part of the complete first season.
"Ice" received praise from critics. In The Complete X-Files, authors Matt Hurwitz and Chris Knowles called the episode a milestone for the fledgling series. A retrospective of the first season in
rated "Ice" an "A-" and described it as "particularly taut and briskly paced". Keith Phipps, in , praised the episode and rated it an "A". He felt that the cast "plays the paranoia beautifully" and that the episode was "as fine an hour as this first season would produce". The episode was included in an A.V. Club list of the greatest television "bottle" episodes, where it was described as "us[ing] its close quarters as an advantage". A third A.V. Club article, which compiled ten "must-see" episodes of the series, called this episode "the first sign that this show had a shot at really being something special" and added that it "makes great use of claustrophobia and the uneasy but growing alliance between the heroes".
's Ben Rawson-Jones has described the episode's stand-off between Mulder and Scully as "an extremely tense moment of paranoia." A review in New York's
called it "potent and creepy" and claimed that the plot "was worthy of honorary passage into ". Matt Haigh, writing for Den of Geek, called it "an extremely absorbing and thrilling episode" whilst acknowledging its debt of influence to The Thing. Anna Johns, in , called "Ice" "a spectacular episode" and praised its opening as "excellent".
listed the episode's worms as among the series' best "Monster-of-the-Week" instances and described them as the cause of "much pointed-guns aggression". In , Meghan Deans compared the scene in which Mulder and Scully inspect each other for infection to a similar scene in "" and found that it showed both characters equally vulnerable without portraying Scully as "an idiot", which Deans felt that the pilot had done.
and , in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, rated the episode five stars out of five. They found it to be "the most influential episode ever made" and noted that the series copied its formula several times throughout its run. Shearman felt that, although their script was derivative, Morgan and Wong had created "a pivotal story" by combining the most important themes from The Thing with a "well rounded" cast of characters. Den of Geek writer Juliette Harrisson named it the "finest" stand-alone episode of the first season.
"Ice" was praised by the production crew as one of the best episodes of the first season. Carter felt that Morgan and Wong "just outdid themselves on this show, as did director , who really works so hard for us. I think they wrote a great script and he did a great job directing it, and we had a great supporting cast". Nutter stated that "the real great thing about 'Ice' is that we were able to convey a strong sense of paranoia. It was also a great ensemble piece. We're dealing with the most basic emotions of each character, ranging from their anger to their ignorance and fear. It established the emotional ties these two characters have with each other, which is very important. Scaring the hell of out of the audience was definitely the key to the episode". Anderson stated that "it was very intense. There was a lot of fear and paranoia going on. We had some great actors to work with".
. . November 29, .
(narrator). Chris Carter Speaks about Season One Episodes: Ice (DVD). : .
VanDerWerff, Todd (July 18, 2010). .
. . April 5, .
Debbie Coe (animal trainer); Toby Lindala (make-up effects). Behind the Truth: Ice (DVD). : .
(booklet). , , et al. .
(). 10 November 1993. p. D3 2012.
109 (2): 39. January 11, 1997.   2012.
Phipps, Keith (July 5, 2008). .
Heller, J Koski, G Murray, N O'Neal, S Pierce, L Tobias, S VanDerWerff, T Zulkey, Claire (June 21, 2010). .
VanDerWerff, Todd (July 20, 2012). .
Rawson-Jones, Ben (July 20, 2008). . .
Haigh, Matt (October 28, 2008). . Den of Geek 2012.
Johns, Anna (July 23, 2006). .
. . July 21, .
Deans, Meghan (November 10, 2011). . .
Harrisson, Juliette (September 6, 2011). . Den of Geek. . Archived from
on July 22, 2012.
Edwards, Ted (1996). X-Files Confidential. .  .
Geraghty, Lincoln (2009). American Science Fiction Film and Television (illustrated ed.). .  .
Goldman, Jane (1995). The X-Files Book of the Unexplained Volume I. .  .
Gradnitzer, L Pittson, Todd (1999). X Marks the Spot: On Location with The X-Files. .  .
Hurwitz, M Knowles, Chris (2008). The Complete X-Files. Insight Editions.  .
Jones, Leslie (1996). "Last Night We Had an Omen". In Lavery, D Hague, A Cartwright, Marla. Deny All Knowledge: Reading The X-Files. .  .
(1996). The X-Files Declassified. .  .
Lowry, Brian (1995). The Truth is Out There: The Official Guide to the X-Files. .  .
(2009). Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen. .  .
Simon, Anne (2011). Monsters, Mutants and Missing Links: The Real Science Behind the X-Files (illustrated ed.). .  .
Westfahl, Gary (2005). The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders 2. .  .
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