急需一份大学英语课前演讲ppt，主题不限，但最好新颖一点，吸引力较强的主题，五分钟到十分钟左右，谢谢！_百度知道
急需一份大学英语课前演讲ppt，主题不限，但最好新颖一点，吸引力较强的主题，五分钟到十分钟左右，谢谢！
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。。。。。。自己做吧，我都要演讲，我都自己做的，你是哪个学校的，我怕你是我们班的
最好自己动手吧！不然给了一份课件你单独的去背比较们没有意义的
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出门在外也不愁急需一份大学英语课前演讲ppt，主题不限，但最好新颖一点，吸引力较强的主题，五分钟左右，谢谢！！！_百度知道
急需一份大学英语课前演讲ppt，主题不限，但最好新颖一点，吸引力较强的主题，五分钟左右，谢谢！！！
我认为，既然是你自己做，那就要付出努力。这样，成功的时候才会倍感喜悦。我觉得，你也许可以找一份大学生比较感兴趣的话题，拉近彼此之间的关系。可以谈一谈现在就业啊什么的重点是要感兴趣。我支持你加油
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3秒自动关闭窗口【求帮忙】谁能帮忙做一个泽野弘之的高中英语课前演讲ppt_泽野弘之吧_百度贴吧
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【求帮忙】谁能帮忙做一个泽野弘之的高中英语课前演讲ppt收藏
已经高三了但是我们老湿还是有这个习惯（其他班已经全部取消了），我觉得我已经没有时间做这种东西了。所以有英语牛人帮忙做一个么真心谢谢了。粗糙什么的没关系，内容随便
嗷！劳资也好想做！可惜不上中学了'''daily report什么的好怀念'''大学topic老师定也说不了了'''有空还是想做做看~我晚上试试＜
泽野弘之-英语-ppt= =联系不起来的样子~
话说这是课前做的吗？不放大神的音乐只能干巴巴的介绍
放首歌贴歌词出来么！多有深度的歌词们！
Hiroyuki Sawano (泽野 弘之 Sawano Hiroyuki?, born September 12, 1980) is a Japanese composer and musician best known for his work on many anime, TV series, and movies. He is currently represented by Legendoor.
Sawano was born in Tokyo, Japan. He began playing piano in elementary school. From the age of 17 he studied composition, arrangement, orchestration, and piano under Nobuchika Tsuboi.
September 12, 1980 (age 31)
Tokyo, Japan
Electronic, orchestral,classical, rock, jazz
Occupations
Composer, musician, producer
Instruments
Keyboard, piano
Years active
2006–present
我自己写了点UC的评价，希望有用处！～ It starts softly and calmly. All of the tracks do. But once the main theme hits, its impact cannot be denied. The crescendo into that brilliant, shining moment draws your breath away as the music conjures up images of the Gundam franchise’s illustrious history from its epic battles to its memorable cast of heroes and villains. And through Gundam Unicorn, this chapter unfolds beautifully, complete with a stirring soundtrack that touches not only upon the victories and the heroism, but also the tragedies. The magnitude of the conflict can certainly be felt through tracks such as “UNICORN,” that can only be described as glorious, but its magnificence is evenly matched by sorrowful fare like “PIANO TO ANNA” which illuminates the ultimate sacrifices that must be made during wartime.
It starts softly and calmly. All of the tracks do. But once the main theme hits, its impact cannot be denied. The crescendo into that brilliant, shining moment draws your breath away as the music conjures up images of the Gundam franchise’s illustrious history from its epic battles to its memorable cast of heroes and villains. And through Gundam Unicorn, this chapter unfolds beautifully, complete with a stirring soundtrack that touches not only upon the victories and the heroism, but also the tragedies. The magnitude of the conflict can certainly be felt through tracks such as “UNICORN,” that can only be described as glorious, but its magnificence is evenly matched by sorrowful fare like “PIANO TO ANNA” which illuminates the ultimate sacrifices that must be made during wartime.
Gundam Unicorn represents a big step for Hiroyuki Sawano. Before he had been commissioned to work on this soundtrack, his works have not received much notice. The stirring Gigantic Formula soundtrack is woefully underrated and Sengoku Basara, while dazzling viewers with its anachronisms and displays of machismo, did not bring him much recognition either. But here, he makes a huge stamp by working on a well-known franchise and delivering a soundtrack that is marvelous. The extent to which his music depicts the war demonstrates Sawano’s ability to ply his trade competently alongsideGundam composers of years past such as Yoko Kanno, Akira Senju, Toshihiko Sahashi, and Kouhei Tanaka.P.S.这是我的真实看法，UC是泽野出道以来质量最高的，其他动漫的都比不上
It goes without saying that much of this soundtrack’s highlights will be focused on the intense battles which are majestic in a way so as to leave the audience in awe. “UNICORN” is, of course, going to be on that list with the way it crescendos into the chorus part to reflect Banagher’s moment of awesomeness, but one shouldn’t forget other tracks like “MOBILE SUIT” which takes us from the call for a sortie all the way into the battle. The way it moves back and forth between the bombastic sections while employing the electronica melody on top of that immerses the listener into the rhythm and flow of combat.
But war isn’t all fun and games and in the face of such momentous conflicts, the tragedies, depicted through tracks like “PIANO TO ANNA,” are handled exquisitely. The somber mood of the piece brings Beethoven’s “Moonlight Sonata” to mind through the repetitive piano melody which paints a grim picture of the pain the characters feel upon seeing the death of a loved one before their very eyes. This heavy mood is also felt keenly in the second half of “FEAR → SORROW.” Though the piece initially starts out with a large amount of tension crafted through the dissonant string section, it gives way to a very moving violin section that captures the depths of the tragedies suffered by combatants and civilians. In listening to it, the sense of desolation lies all about, as the conflict inflicts both physical and emotional scars upon all those within its grasp.
The two songs on the soundtrack, “A LETTER” and “LICHT MEER,” are both beautifully executed, with the former starting off with a hefty dose of melancholy as the singer recollects upon days long past. But as the song moves on, the hope grows, and you can feel Cyua looking forward and discarding the vestiges of the past so that she can move on with life. The way the piece adds on more instruments towards the end gives us the feeling that her will has triumphed. As for “LICHT MEER,” the chorus comes across as a giving a benediction to those who gave their lives in defense of their country. The mournful atmosphere is really apparent around 1:09 when the lyrics emphatically carry with it the sense of grief and loss for the fallen. It’s expressed really well, and Sawano conveys the sense of suffering well.
Given the praise I’ve heaped upon Sawano’s compositions for Gundam Unicorn’ssoundtrack, it’s fairly evident that this is one phenomenal album, especially if you’re looking for epic orchestral music. The only issue that I can complain mildly about is that some of the pieces don’t strike the emotional chords hard enough, which is why Kanno’s score for Turn A Gundam will remain my favorite. And if the only composer Sawano really loses out to is Yoko Kanno and maybe Akira Senju, then what Sawano’s managed to deliver can only be labeled a smashing success.
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